Monday, June 28, 2010

Music Industry Articles...

Techdirt has some great articles...

Major Labels Begin Major Astroturfing Campaign To Get 3 Strikes In The US | Techdirt

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"Major Labels Begin Major Astroturfing Campaign To Get 3 Strikes In The US from the begin-astroturfing-now... dept A friend just forwarded me an email 'from' the CEO of Universal Music (really from an email marketing campaign system if you look at the headers) that encourages him to push for new laws in the US to kick people offline for file sharing. To date, the RIAA and others in the recording industry have known better than to seriously push for a three strikes-type legislation in the US, knowing that it is a battle that they very well might lose. They had hoped, quite strongly, that various ISPs would come to simply agree to implement a three strikes plan to kick people offline after three accusations (not convictions) of copyright infringement. But it's been nearly a year and a half since the RIAA believed those deals were close, and there's still nothing to show for it. Nothing.

So, it looks like the industry is going to plan B: which is going back to trying to ram through legislation that will require ISPs to take the draconian step of protecting one industry's broken business model. And to get this going, it looks like the industry has set up a neat little set of astroturfing groups and 'consumer' campaigns that try to hide the specifics, but clearly are designed to get similar three strikes legislation (similar to the Digital Economy Act in the UK) put in place in the US. "

(Continued... Major Labels Begin Major Astroturfing Campaign To Get 3 Strikes In The US | Techdirt)

As The RIAA Lobbies For More Royalties For Itself, It's Fighting (And Losing) Over Having To Pay Royalties To Songwriters | Techdirt

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For whatever reason, while there is a compulsory license setup for anyone doing a cover song, such that if you cover a song, you don't have to first get permission to do so, but you just have to pay an agreed upon rate, which is usually set by the Copyright Royalty Board (a group of judges who more or less pick a number out of a hat). There are all sorts of problems with having a group of judges trying to randomly set prices on royalties, but it is how the system is set up. What's amusing is that after a recent Copyright Royalty Board ruling on cover songs set the rate higher than the RIAA liked, the RIAA went to court to get those rates changed. A district court turned the RIAA down, and now an appeals court has done the same.""As The RIAA Lobbies For More Royalties For Itself, It's Fighting (And Losing) Over Having To Pay Royalties To Songwriters from the what's-good-for-the-goose...

dept The RIAA is in the middle of a big fight for new royalties (i.e., a performance rights tax) on songs played on the radio, going on and on about how anyone against those fees are 'stealing' from them. Yet, when it comes to the royalties that RIAA members have to pay to others, suddenly those are worth fighting against. As you hopefully know, there are a few different copyrights related to music. There's the copyright on the recording itself, which is usually held by the record label. But there is also the copyright on the song or composition, which can be held by a music publisher or the songwriter.

(Continued... As The RIAA Lobbies For More Royalties For Itself, It's Fighting (And Losing) Over Having To Pay Royalties To Songwriters | Techdirt)

 

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