Showing posts with label Disco. Show all posts
Showing posts with label Disco. Show all posts

Wednesday, October 7, 2020

Article: Why Disco Is Taking Over Pop, One Feel-Good Banger At A Time

I couldn’t be happier about it...

"Disco originated in the 1970s at a time of economic crisis. The post-World War II economic boom had come to an end and the United States began to endure a cycle of depression that included an oil crisis, a stock market crash, and a recession that caused high unemployment and simultaneously high inflation. At the end of the previous decade, the Civil Rights movement was disrupted by the assassinations of Martin Luther King, Jr. and Deputy Chairman of Black Panther Party Fred Hampton. Mass shootings and labor strikes abounded. With uncomplicated messages of feeling good (i.e., ‘Good Times’ by Chic, ‘You Should Be Dancing’ by the Bee Gees) and empowerment, like Gloria Gaynor’s perennial ‘I Will Survive,’ hefty funk basslines, eclectic percussion via cowbell and woodblock, and four-on-the-floor rhythms, disco was the music of liberation when marginalized, working people — in particular for queer, Black, Hispanic and Latinx, and Italian-American people — needed it badly.

It’s hard not to see parallels between the disco era and the political and cultural shifts happening right now in America. A public health crisis and subsequent recession — one started just barely 10 years after the last — plus a reinvigorated movement for racial justice, fueled by demands of significant societal restructuring in the real service of long overdue equality, make for a heavy load to bear, especially if you’re unemployed or otherwise struggling.

‘When shit’s going bad, people like to indulge in happier music,’ says Ian Kirkpatrick, the producer of ‘Don’t Start Now,’ and Lipa’s 2018 hit ‘New Rules.’ ‘These songs are so uplifting. This is a way of escaping.’"

(Via Why Disco Is Taking Over Pop, One Feel-Good Banger At A Time.)

Friday, August 7, 2020

Movie: Love Me Like You Should: The Brave and Bold Sylvester

Sylvester was not of my era, but I’ve become a huge fan. I don’t even remember how I discovered them, but it wasn’t long before I was collecting Sylvester’s music on vinyl and and playing it on jukeboxes.  I was thrilled to see this light shown on this amazing artist over at Amazon Music.  Check it out!

"In partnership with filmmaker Lauren Tabak and writer/consulting producer Barry Walters, we dive into the music career of Sylvester, starting from church choir in South Central LA to his early years in San Francisco. It follows his ascent to stardom through his evergreen, international hits 'Dance (Disco Heat)' and 'You Make Me Feel (Mighty Real)'. Through his groundbreaking career, Sylvester blew open the doors for queer visibility and gender fluidity in mainstream music, leaving a legacy that continues to influence today's pop music. The documentary features candid interviews with Billy Porter, Martha Wash (The Weather Girls, Two Tons o’ Fun), Sylvester’s sister Bernadette Baldwin, biographer Josh Gamson, producer/songwriter James Wirrick, and more. Listen to Sylvester on our Pride History playlist: https://amzn.to/37D73XG"

(Via (100) Love Me Like You Should: The Brave and Bold Sylvester | Amazon Music - YouTube.)

Monday, January 13, 2020

Article: The Number Ones: Donna Summer’s “MacArthur Park”

I love that Stereogum just highlighted Donna Summer’s MacArthur Park as part of its series The Number Ones!  I can’t quite remember how I first discovered this song, but it’s been one of my favorite disco / Donna Summer tracks.  The original article only embedded the edited version that is under 4 minutes - but I’m including the nearly 18 minute version here, which I prefer.  It’s this version that has established itself as our official camp tear-down song, with the goal of the strike to be completed before the end of the song.  It’s good to have goals.

 

"‘MacArthur Park,’ in its original Richard Harris form, peaked at #2. (It’s a 6.) It didn’t fade away after that, either. It stuck around. Waylon Jennings won a Grammy for a 1969 country version of the song. The Four Tops turned it into orchestral soul in 1971. Andy Williams cut a sleepy easy-listening version in 1972. In his 1975 audition for the original Saturday Night Live cast, Andy Kaufman gave a straight-faced spoken-word recitation of the ‘MacArthur Park’ lyrics. Someone, somewhere, was going to turn ‘MacArthur Park’ into a disco song. It was inevitable. We’re lucky we got the Donna Summer version."

...

"As with the Richard Harris original, Summer recorded ‘MacArthur Park’ with the best LA studio musicians that her producers could round up. Moroder found other ways to put his literal voice into ‘MacArthur Park.’ On the chorus, the backing vocals are Moroder himself, multi-tracked into a chorus. It’s a trick that other producers would use many, many times in the decades ahead, but nobody else was doing stuff like that then. In the four-minute single edit of the song that Moroder put together, we get a swirling, histrionic, string-dominated intro that recalls the original. But then, one minute in, the beat drops, and ‘MacArthur Park turns into a gloriously hard-thumping disco jam. Summer lets out a quick whoop, but she keeps her composure, and she works overtime to keep the song’s strange emotional resonance alive."

(Via The Number Ones: Donna Summer’s “MacArthur Park” - Stereogum.)

Wednesday, August 29, 2018

Honcho Campout 2018

This is my third Honcho Campout, and probably one of the best.  They’re finding their groove in this new location, and you can tell by the number of people making their way out to this remote Four Quarters Interfaith Sanctuary.  A fabulous mix of people and music, and beautiful natural surroundings to envelop them.  Also, I know the video is pretty dark, but that’s probably for the best. ;-)

Honcho Campout 2018

Honcho Campout 2018

Honcho Campout 2018

Tuesday, August 14, 2018

De Lux (8/11/18)

De Lux kinda snuck up on me.  Turns out I had some random "Scion AV Presents De Lux” EP from 2016 that I had enjoyed, and then readily moved on from. The speed at which I discover new music, I’ll often move past bands that probably deserve more attention, and this was one of those bands.  Thanks to Songkick monitoring my artist list in iTunes, they alerted me to their concert coming up at the Grog Shop.  I probably wouldn’t have even recognized their name had I not wondered - "why is Songkick telling me about this show?”   After getting reacquainted, I quickly updated my library with their new stuff, and the more I listened, the more I loved what I was hearing.  Every song was great!  Opening the was Cleveland’s own Key to the Mint, who I’ve seen several times.  They’re an interesting local band with a dark, throwback synth sound is.  I’m hoping for the best for these guys.

Key to the Mint  8 11 18

Next up were Traps PS, but we checked out for this band.  Then, L.A.’s De Lux took the stage and I never left the dance floor.  Their Bandcamp page describes them as: "a post-disco dance-punk DIY duo that sound like they could have come out of 1979 or 1982 just as easily as the present.”  Right on. The Grog Shop should’ve had a LOT more people there for this show, but this was also their first time in Cleveland.  Hopefully not their last!  So much fun… I live for concert nights like this.  

De Lux  8 11 18

De Lux  8 11 18

Saturday, April 14, 2018

JANE: A Tribute to Rob Sherwood (3/31/18)

Finally getting my post up for the event: Disco Mafia presents JANE: A Tribute to Rob Sherwood at Sachsenheim Hall.  As I previously mentioned, I wasn’t privy to the prime days of Rob Sherwood and Cleveland dance, but this event was still precious.  Loved the space, the people, and getting to see all the vintage fliers for past shows.  Well, done.  When’s the next one?

JANE A Tribute to Rob Sherwood  3 31 18

JANE A Tribute to Rob Sherwood  3 31 18

JANE A Tribute to Rob Sherwood  3 31 18

JANE A Tribute to Rob Sherwood  3 31 18

JANE A Tribute to Rob Sherwood  3 31 18

Monday, January 2, 2017

The Black Madonna / Honcho (11/5/16)

I couldn’t have hoped for a better night out in Pittsburgh, than to be getting to go to Honcho to see The Black Madonna.  She was one of the first DJ’s I discovered when I started going to those parties, and while I was able to see her at Movement last year, it felt so special to finally get to see her here!  Honcho continues to be the epitome of my best dance experience.  

The Black Madonna / Honcho (11/5/16)

Tuesday, August 9, 2016

Summer Solstice 2016

Another great year.  This year having Giorgio Moroder (think Donna Summer) was truly amazing.  Having seen him last year at Pitchfork Music Festival - I already knew this would be a good show.

Summer Solstice Party 2016

Summer Solstice Party 2016

Summer Solstice Party 2016

Summer Solstice Party 2016

Summer Solstice Party 2016

Summer Solstice Party 2016

Summer Solstice Party 2016

Friday, June 19, 2015

Movement 2015

My second year of attending Movement, formerly known as the Detroit Electronic Music Festival (DEMF!).  Again, a fabulous year - but this time with the perks of VIP!  Totally worth it - and will do it again next year…   Here are some highlights.

Movement 2015

Movement 2015

Movement 2015

Movement 2015

Friday, May 22, 2015

Video Day #tzaupbeat

A stunning dance track by CERRONE feat. Beth Ditto. and remixed by Alan Braxe.  Sticking with the disco theme is the new Giorgio Moroder with Sia!  Royksopp has this new video for I Had This Thing.

Bonus:  My favorite French pop artist - Yelle!

Sunday, March 29, 2015

Video Day #tzaupbeat

Awesome new Shamir with Call it Off… can’t wait for his new release!  CHIC feat. Nile Rodgers just put out some disco sexiness with I’ll Be There. Then is some new San Cisco closeness with Too Much Time Together.

Bonus: Fools Gold’s video for I’m In Love (new album out on April 18th - Record Store Day!)