New TRUST! Elliphant’s artistic Revolusion. A trippy video for The Lens by Thee Oh Sees.
Bonus: Chrome’s Jealous (I Ain’t With It)
Stunning video. Thanks to Boooooooooooom for showing me the way with this video (love the heart shape they form)
La Iaia “L’Ós” music video produced by CANADA
"Young love perfectly captured in this video, directed by Marc Oller for La Iaia’s song ‘L’Ós’. Whenever the name CANADA appears in the production credits you know it’s worth watching. Watch the video below."
If you haven’t already seen this over at Cellar Door Cleveland, I thought I’d re-publish it here. They asked me to do a blurb on my favorite album, for a piece leading up to Record Store Day. I do have to admit that I feel like I’m still in the closet in some ways with being an Ani DiFranco fan - being that so many other music-folk I know kind of scoff of her as a performer, quickly categorizing her as “angry feminist”. It’s terrible really, as I see her as being an artist that stays more true to her art than most other performers I see. So in some ways, this piece was my coming out… as an Ani fan. Make sure you check out everyone else who participated as well!
Roger Zender, Owner/Writer of The Zender Agenda
Artist: Ani DiFranco
Album: Living in Clip
I love new music. I’m always on the hunt for something that I haven’t heard before, so the thought of looking back and picking an album that “changed my life” is quite daunting. What genre? What era? Is this even possible? After a quick personal panic, I realized this was actually quite easy. The album I choose is Ani DiFranco’s Living in Clip (a ’97 double live album). I was working at Finders Records (Bowling Green, OH) at the time, I was in my early twenties and was just discovering the diversity of the music industry. I first discovered Ani DiFranco the previous year with Dilate, the album that established her as a truly successful independent artist with her own record label. Ani stood out because she was unabashedly political and unapologetically queer. This blew my mild, Midwest mind – one that was raised on hair metal and overproduced pop/rap. It was at this same time that I started seeing concerts on a regular basis, and seeing Ani live for the first time made my jaw drop. Living in Clip was a double album that collected works from her previous 6 studio albums, as well as poems, banter, and snorts. I remember anxiously waiting for it to be released, and when the box of new releases arrive from the distributor at Finders I snuck a copy out of the store before the street date. This album represents my burgeoning awareness of the power of music, the power of the live show, and the power of politics in music, all in a single package. I can easily say this album changed my life. If you need proof, just ask to see my tattoo.
I told you we had some catchin’ up to do. More Moderat(!!) with Last Time. I know that the new Neneh Cherry / Robyn Out Of The Black song / video hasn’t been getting much love - but it’s growin’ on me. Leif rounds out with BOOM, though I have to say I liked his Letterman performance better.
Bonus: Oh J Lo… I still kinda like you.
Finally some new Little Dragon (!!) with their new video for Klapp Kapp. Jagwar Ma has a new video for Uncertainty. Wild Beasts are back with a haunting Wanderlust.
Bonus: Lykki Li’s No Rest for the Wicked. Low key, but good.
After a great show, seeing Arc Iris, we sprinted over to the Grog Shop to catch The War on Drugs. I knew would be a packed show (sold out) because theses guys have been super hot lately. I’ve been a fan for a while, but this new album has been a treat. Great rock & roll (despite all those loud-talkers). Check out the I Rock Cleveland review below…
I Rock Cleveland | Live Rock Action: The War on Drugs @ Grog Shop Cleveland Hts.
"When the War on Drugs hit a groove, they recall the big tent interpretation of American roots music that Wilco turned into an amphitheater and arena career. Granduciel has a drawl that gets an instant Dylan comparison. The keyboards, meanwhile, have that cathedral sound like Disintegration era Cura, a tone that meanders in the air long after the keys have been pressed. In this context the unit could steal a riff from the classic rock catalog, add reverb and echo and more reverb and more echo and the result can be both familiar and mesmerizing, and a sound that effectively shuts off all other senses."
Mechanic Street House Concerts had a late call for Arc Iris to perform yesterday, but they were still able to pull in a full crowd for this show. No openers, but two sets by Arc Iris proved to be quite a treat. They came out on stage looking like a futuristic, folk gypsies - and had the music to match.
Oh - and that set…
I am waaaaay behind on videos. I hope you’re ready to get caught up. Starting with one of my most favorite new albums, here is Gardens & Villa with their groovy new song for Colony Glen. Glass Animals is up next with a captivating video for Gooey. Finally, Major Lazer lose themselves in Lose Yourself.
Bonus: I’m not a huge Beyonce fan, but whoa.
On the fence on this one… I went, but unfortunately missed Leah Lou opening. It wasn’t super-packed either (yay!), but they must have been expecting it because there were two rows of seats setup for this show (first time I’ve ever seen such a thing). Mates of State were polished & good, but was hoping they would pack a little more punch than they did. A nice night of music, but they’ll have to step it up a bit more next time.
Being a fan of Le Tigre, I would shave seen this show anyway, but after watching The Punk Singer at Cleveland Cinemas, I was even more stoked (trailer below). Opening was ShiSho, a couple of girls from Kent, OH - who were quite a bit of fun, in a nerd punk kinda way.
Up next, I was finally able to catch the Screaming Females - who put out more rock power than I’ve seen in a long time. Impressive.
The Julie Ruin were great. It’s fun seeing Kathleen Hannah back on stage - the only thing that could have made the show better would be the band having one-less guy on stage (one who I felt needed his own fronting gig).
"Featuring legendary riot grrrl pioneer Kathleen Hanna (Bikini Kill, Le Tigre) at its helm, The Julie Ruin released their debut full-length album, Run Fast, last September. “Running fast” into 2014, The Julie Ruin will take their “bursting dance rock songs” (Los Angeles Times) & “engaging, endearing presence onstage” (The Austin Chronicle) to the road once more on a North American tour, including stops in Cambridge, Toronto, Cleveland, Ferndale & Chicago.”