New Release: Sin Fang's Flowers

So excited that the new Sin Fang album is out!  As you already know, he's a Total Crush.  Stream the album below and download Young Boys for free.  Album review below…  

 

Sin Fang – Flowers

"Icelandic lo-fi folk maestro Sindri Már Sigfússon, better known by his badass solo-material moniker, Sin Fang, pouts confidence and grandeur on his new LP, Flowers. It’s his third outing flying the flag as Sin Fang (by day, he’s the lead singer of Seabear); he’s now climbed up the ziggurat and is reeling out indie-pop gems. There’s a sprawling sound to the record, a vastness that becomes abundantly apparent when you find out that Alex Somers, producer to Sigur Rós, also produced Flowers. This lion-hearted effort is imbued with the hugeness of nature, unrequited love and operatic folk-pop, which together help to express a growing confidence with Sigfússon, with moments where it feels like a coming-of-age saga.

‘Young Boys’ owns the biggest pop hook Sigfússon has written – its grandiose ‘ooooohhaaaaahhoowaaooh’-ing backing a chantable motif: ‘We were young boys smoking in the woods/I showed you how, I showed you how’. It jangles and twinkles, conjuring visions of snow-dusted pine forests and the kind of parties only Smirnoff or Rob Da Bank can pull off. It’s decisively teenage, but it’s not immature; it revels in the immediacy and the freedom of youth, an anthem in every sense of the word. ‘See Ribs’ dishes out lashings of shoegaze indie-rock, with battering-ram drums and sea-foam guitar compelling movement. It squeals, it screams and it leaves the folkier aspects of Sin Fang by the wayside, opting for a more electronic approach drenched in effects.

Flowers is home to the same kind of enriching, uplifting pop music as bands like The Polyphonic Spree or Walk The Moon. The sounds are thickly textured. It’s intense and heart-warming, and for lack of a better phrase it really is ’life-affirming’: it begs joy, it invokes hope. This is a compilation of rewarding music, that skitters through a variety of genres, never really settling down too long into any one conventionalised sound before shooting into something fresh. The overriding themes of exploration, love and freedom run through each cut of the record, providing a solid centre for the experimentation. Alex Somers’ hand has clearly had an influence, directing Sigfússon down a new – but ultimately richer – path. Praises cannot be gushed enough."

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